thissideofthetruth

NOT THE OTHER

Tag: sculpture

David Bowie by Tony Oursler

Bowie

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One Dimensional Man

One-Dimensional Man.

One and Only

But is it Art?

One & Other was a public art project by Antony Gormley, in which 2,400 members of the public occupied the usually vacant fourth plinth in Trafalgar Square, London, for an hour each for 100 days. The project began at 9 am on Monday 6 July 2009, and ran until 14 October. The first person to officially occupy the plinth was Rachel Wardell from Lincolnshire. A documentary art book by Gormley, entitled One and Other, was published in the UK by Jonathan Cape on 14 October 2010. The Wellcome Trust has posted online at its website its series of oral-history interviews of the 2400 plinthers.

Passing by

The project was opened by the Mayor of London, Boris Johnson. Minutes before the official launch Stuart Holmes, an anti-smoking protester, managed to clamber onto the plinth and displayed a banner calling for a ban on tobacco. Gormley urged him to do the “gentlemanly thing” and give up his place to the first official “plinther”, Rachel Wardell. He did so and descended in the cherry picker used to carry participants to and from the plinth.

Change of the guard

Members of the public could apply for an hour on the plinth via the project’s website. Gormley himself applied but didn’t get a place. Reviewing the event afterwards, the Guardian’s top ten “plinthers” were:

Name Performance
Gerald Chong Demolished a cardboard replica of the London skyline, dressed as Godzilla.
Amanda Hall Constructed a full-size Gormley-style human figure from bread products.
Ollie Campbell Pitched a tent, from which a live chicken and two blow-up dolls emerged.
Steve Cousins (The Balloonatic) Performed in a red catsuit with a large, red balloon.
Sam Martin Dressed as a football referee, Martin challenged members of the public and announced half-time.
Jonathan May-Bowles (Jonnie Marbles) Invited members of the public to text their secrets to him, which were then read aloud.
Neil Studd Dressed as a living statue of Lord Nelson, in an echo of Nelson’s Column.
Liz Crow Sat in a wheelchair wearing a Nazi military uniform, as a political statement on the rights of disabled people.
Susanna Meese-Simpson Posed naked as if for a life study.
Paul Speller Performed a succession of scientific experiments submitted by the public, including an experiment with a tin can telephone.

Plinth Concept

On 14 July at 8.00 pm, poet R. N. Taber read a selection of his poems, while photographer Alex Boyd collaborated with Scottish Makar (Poet Laureate) Edwin Morgan for his time on the plinth. On 12 August at 1 am, a naked plinther was asked to cover up by the police.

Monique-Speksnyderon-on-t-002

Streamed live online by SkyArts, the exhibit quickly developed a cadre of regular Twitter followers who provided a running commentary of events on the plinth.

Balloon Man

 

Kunstakademie Dusseldorf

KF

The Kunstakademie Düsseldorf is the Arts Academy of the city of Düsseldorf. Notable artists who attended the academy include Joseph Beuys, Gerhard Richter, Sigmar Polke, Thomas Demand and Andreas Gursky. In the stairway of its main entrance, are engraved the Words: “Für unsere Studenten nur das Beste” (“For our Students only the Best”).

'Betty' by Gerhard Richter.

The school was founded by Lambert Krahe in 1762 as a school of drawing. In 1773, it became the “Kurfürstlich-Pfälzische Academie der Maler, Bildhauer- und Baukunst” (Academy of Painting, Sculpture and Architecture of the Electorate of the Palatinate).

JBThomas DemandT. S.

It has been amongst Europe’s foremost art schools for more than two centuries.

Trinity College Dublin, Candida Hofer

The German photographic movement commonly known as the Düsseldorf School of Photography, began in the mid 1970s at the Kunstakademie Düsseldorf under the instruction of the influential photographers Bernd and Hilla Becher, known for their comparative grids of mundane industrial buildings captured with an objective and clinical eye.

Bernd and Hilla Becher

This school has not only birthed some of today’s most important and successful photographers, but has also had a fundamental and lasting influence on the history of the medium.

da16

Anime Beauty

Anime Beauty

Belle

Belle

Sirens

Sirens

In Greek mythology, the Sirens were dangerous and beautiful creatures, portrayed as femme fatales who lured nearby sailors with their enchanting music and voices to shipwreck on the rocky coast of their island. Roman poets placed them on some small islands called Sirenum scopuli. In some later, rationalized traditions, the literal geography of the “flowery” island of Anthemoessa, or Anthemusa, is fixed: sometimes on Cape Pelorum and at others in the islands known as the Sirenuse, near Paestum, or in Capreae. All such locations were surrounded by cliffs and rocks.

Sirens by Boris

When the Sirens were given a name of their own they were considered the daughters of the river god Achelous, fathered upon Terpsichore, Melpomene, Sterope, or Chthon. Although they lured mariners, for the Greeks the Sirens in their “meadow starred with flowers” were not sea deities. Roman writers linked the Sirens more closely to the sea, as daughters of Phorcys. Sirens are found in many Greek stories, particularly in Homer’s Odyssey.

According to Ovid, the Sirens were the companions of young Persephone and were given wings by Demeter to search for Persephone when she was abducted. However, the Fabulae of Hyginus has Demeter cursing the Sirens for failing to intervene in the abduction of Persephone.

Ulysses

The Sirens might be called the Muses of the lower world, Walter Copland Perry observed: “Their song, though irresistibly sweet, was no less sad than sweet, and lapped both body and soul in a fatal lethargy, the forerunner of death and corruption.” Their song is continually calling on Persephone. The term “siren song” refers to an appeal that is hard to resist but that, if heeded, will lead to a bad conclusion. Later writers have implied that the Sirens were anthropophagous, based on Circe’s description of them “lolling there in their meadow, round them heaps of corpses rotting away, rags of skin shriveling on their bones.” As Jane Ellen Harrison notes of “The Ker as siren:” “It is strange and beautiful that Homer should make the Sirens appeal to the spirit, not to the flesh.”

Siren by Anne Stokes

“They are mantic creatures like the Sphinx with whom they have much in common, knowing both the past and the future,” Harrison observed. “Their song takes effect at midday, in a windless calm. The end of that song is death.” That the sailors’ flesh is rotting away, though, would suggest it has not been eaten. It has been suggested that, with their feathers stolen, their divine nature kept them alive, but unable to feed for their visitors, who starved to death by refusing to leave.

According to Hyginus, sirens were fated to live only until the mortals who heard their songs were able to pass by them.

The Siren, by John William Waterhouse

O Brother Where Art Thow

Sirens of Titan

Sirens of Titan Cover

“Oh Lord Most High, Creator of the Cosmos, Spinner of Galaxies, Soul of Electromagnetic Waves, Inhaler and Exhaler of Inconceivable Volumes of Vacuum, Spitter of Fire and Rock, Trifler with Millennia — what could we do for Thee that Thou couldst not do for Thyself one octillion times better? Nothing. What could we do or say that could possibly interest Thee? Nothing. Oh, Mankind, rejoice in the apathy of our Creator, for it makes us free and truthful and dignified at last. No longer can a fool point to a ridiculous accident of good luck and say, ‘Somebody up there likes me.’ And no longer can a tyrant say, ‘God wants this or that to happen, and anyone who doesn’t help this or that to happen is against God.’ O Lord Most High, what a glorious weapon is Thy Apathy, for we have unsheathed it, have thrust and slashed mightily with it, and the claptrap that has so often enslaved us or driven us into the madhouse lies slain!” -The prayer of the Reverend C. Horner Redwine”
― Kurt Vonnegut, The Sirens of Titan

Saturn from Titan

Saturn

Saturn

Himalayas

Himalayas

‘Tunnel’ by Thomas Demand

Tunnel

 

VGER

VGER

Voyager 1

Voyager 1

Fairy

Kari-Lise

Corporate Murder

Corporate Murder

Van

van

Atta Kim New York

ATTA KIM

Clear Circle

Clear Circle

Hamburg Crossing

majestic

HPH

ouple By HPH

Vogue 1939

v

The Corset

Horst Paul Albert Bohrmann

Bone Tat

corset tattoo

Water Elf

Water Elf

bubbles

Underwater Nude

Kurious Kate

Sly Kate

More Than Honey

More Than Honey

Honey Comb

Honey Comb

trapped in the bell jar

The Bell Jar

The Yellow Wallpaper in shreds

Julia Callon

The Yellow Wallpaper

The Yellow Wallpaper

City Of Shadows

Alexey Titarenko

Atta Kim

In Buddhism, all objects, or in other words, color and matter are another word for space and space is another word for color. All objects can become one according to the concept of “all matter is emptiness” and the process of breaking down is called “emptiness is form.” In particular, Hua-yen Buddhism’s teachings of “one is all, all is one” is a physical analysis of how points build to space and space breaks down to a point. Buddhism’s “all matter is emptiness” does not mean a lack. I will use my work as an example.

New York

New York (2008) Indala Series  A photographic portrait of New York using 10,000 images.

My ON-AIR Project’s Indala Series (Indala is another word for Indra’s net, which refers to the concept of the interconnectedness of all things in the universe. New York, Washington, Moscow, Tokyo, Paris, London, Venice, Berlin, Athens, Seoul, Delhi, and others, comprise the 14 cities that are a part of this project). For the project, I took 10,000 photographs of New York and superimposed them to create one final picture.

The completed picture appears to be nothing but a blurry, gray image, but there are physically 10,000 photographs within it. Those 10,000 photographs of New York streets, buildings, people, and events were vividly captured over the course of several years, lovingly, with proper photographic technique. I’m not Buddhist and I didn’t do this project with the intention of explaining the concept of “all is emptiness,” but this is similar to that concept of emptiness. If one penetrates into the gray image (as in Heidegger’s concept of entwurf, or the mental process of absorption in something), one is able to meet again the countless events and identities melted into the 10,000 cuts. This process of disassembly is “emptiness is everything.” If one physically dismantles an analog picture, one is left with the particles that make up analog film; in a digital process, only the pixels are left. In the final gray image of the Indala project, those 10,000 photographs have become one and each has lost its function but their identity is not gone. Just like how my DNA contains all of humanity’s genes, identity does not disappear. This is similar to how the point’s identity is inherent in space. Ironically though, the final gray picture of one city composed of 10,000 different superimposed photographs is digitized and has no mass or volume; it only has form when it comes out.

Atta Kim

Budda

Budda Kamakura

Brazil

Brazil

Street Of Crocs

Street of Crocodiles

Ah Pook The Destroyer

Casualities Of War

wearedorothy

America. A Nuclear Device.

America. A Nuclear Device

Girl with automatic assault weapon

girl with weapon

Thompson Submachine Gun

Thompson Submachine Gun

PVC Figure

Shunya Yamashita PVC figure

Kotobukiya

Kotobukiya

dark swimming pool

Beauty of the Past Karezoid

Pool Sculpture

pool art

ShellCastle

ShellCastle

Levi Van Veluw

Levi Van Veluw

Bad Dog

Richard Jackson, Bad Dog, 2013

Faces

faces

Eyes X Five

KEVIN SYENS

Magritte Airshow

Magritte Air Show

Ocean Wave Nets

Ana Teresa Barboza

Piss Christ

Piss Christ by Andres Serrano

Cross of Heaven and Hell

religion art

Ray Gun

Ray Gun

MoonBeam

moonbeam ontario

JarHead

head in a bell jar

Knife Ship

Knife Ship 1 by Claes Oldenburg

Ruby Anemic “You Can Have it All”

Ruby Anemic “You Can Have it All”

Dice Sculpture by Tony Gragg.

Dice Sculpture by Tony Gragg.

‘Gog’, is reg…

Image

‘Gog’, is regarded as one of the most groundbreaking and influential commercials of the 2000s, and received more awards from the television and advertising industries than any commercial in history. Its success was blighted, however, by persistent accusations of plagiarism by Peter Fischli and David Weiss, the creators of The Way Things Go (1987).

In May 2003, Fischli and Weiss threatened legal action against Honda. The artists felt that the ad’s creators had “obviously seen” their film, and should have consulted them. Fischli and Weiss had refused several requests to use the film for commercial purposes, though Honda claimed that this was irrelevant as their permission was not needed to create new works with some elements similar to their previous works. Honda’s advertising firm Wieden+Kennedy eventually admitted to copying a sequence of weighted tires rolling uphill. The controversy was blamed for denying ‘Cog’ a Grand Prix at the 2004 Cannes Lions International Advertising Festival.

The Gao Brothers. The Execution of Christ, 2009. Bronze, liver of sulfur patina.

The Gao Brothers. The Execution of Christ, 2009. Bronze, liver of sulfur patina.

Image

Laurie Simmons. 'New in a Box.' 2010

Laurie Simmons. 'New in a Box.' 2010

Strange Car

Strange Car

Levi van Veluw

Levi van Veluw

Simone Decker

Simone Decker

Image

courtesy of mr. tadao ando

courtesy of mr. tadao ando

ball in the wall

ball in the wall

Image

j harrison holeinhead

j harrison holeinhead

 …

Image

Ruby Anemic. UZI behind glass.

Ruby Anemic. UZI behind glass.

fuck 'em

fuck 'em

Rabbit by Kate MacDowell

Rabbit by Kate MacDowell

Sculpting In Ti…

Image

Sculpting In Time (Russian “Запечатлённое время”, literally “Depicted Time”) is a book by Russian filmmaker Andrei Tarkovsky about art and cinema in general, and his own films in particular. It was originally published in 1986 in German shortly before the author’s death, and published in English in 1987, translated by Kitty Hunter-Blair. The title refers to Tarkovsky’s own name for his style of filmmaking.

The book’s main statement about the nature of cinema is summarized in the statement, “The dominant, all-powerful factor of the film image is rhythm, expressing the course of time within the frame.” Tarkovsky describes his own distaste for the growing popularity of rapid-cut editing and other devices that he believes to be contrary to the true artistic nature of the cinema.

The book contains a great deal of poems by the filmmaker’s father Arseny Alexandrovich Tarkovsky along with a fair amount of Tarkovsky’s personal writings on his life and work, lectures and discussions during making of Andrei Rublyov with a film history student named Olga Surkova, who later became a professional critic and helped in writing of this book. The book has commentary on each of his 7 major feature films, and his complex relationship with the Soviet Union. The final chapter, a discussion of his film The Sacrifice, was dictated in the last weeks of his life.

Tim Vollmer

Tim Vollmer

Art from scraping a leaf. China. Artist unknown.

Art from scraping a leaf. China. Artist unknown.

unknown bullet painting

unknown bullet painting

Ruby Anemic 2012

Ruby Anemic 2012

'Mirage' (Bronze) by Marc Quinn

'Mirage' (Bronze) by Marc Quinn

 …

Image

Greg Brotherton

Greg Brotherton

Greg Brotherton

Greg Brotherton

André Kutscherauer

André Kutscherauer

Antoni

Antoni

kris trappeniers - paper cut artwork.

kris trappeniers - paper cut artwork.

Original sculpture by artist Nancy Fouts

Original sculpture by artist Nancy Fouts

Balloon sculptures by Hans Hemmert.

Balloon sculptures by Hans Hemmert.

Young-Kyun Kim

Young-Kyun Kim

'Waiting for Godot' by Marc Quinn

'Waiting for Godot' by Marc Quinn

James Plafke - Chromatic Typewriter that you can type a painting with.

James Plafke - Chromatic Typewriter that you can type a painting with.

Banksy having a dig at the Church establishment.

Banksy having a dig at the Church establishment.

'Microcosmos' (Bronze) by Mark Quinn

'Microcosmos' (Bronze) by Mark Quinn

Anthony Gormley, “Blind Light”

Anthony Gormley, “Blind Light”

Tim Etchells

Tim Etchells

Thomas Doyle

Thomas Doyle

'Veneer IV' by Levi Van Veluw.

'Veneer IV' by Levi Van Veluw.

Sculpture by Kate MacDowell.

Sculpture by Kate MacDowell.

Stunning, check out the original mixed media sculpture by artist Takanori Aiba, its a bonsai treehouse.

Stunning, check out the original mixed media sculpture by artist Takanori Aiba, its a bonsai treehouse.

Confucius by Zhang Huan.

Confucius by Zhang Huan.

Artwork and Photography by Isaac Cordal

Artwork and Photography by Isaac Cordal

'Tania' by Bruno Walpoth. Carved from wood.

'Tania' by Bruno Walpoth. Carved from wood.

Myeongbeom Kim

Myeongbeom Kim