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Tag: poetry

THE BELL JAR

Sylvia Reading

The Bell Jar is American writer and poet Sylvia Plath’s only novel, which was originally published under the pseudonym “Victoria Lucas” in 1963. The novel is semi-autobiographical with the names of places and people changed. The book is often regarded as a roman à clef, with the protagonist’s descent into mental illness paralleling Plath’s own experiences with what may have been clinical depression. Plath committed suicide a month after its first UK publication. The novel was published under Plath’s name for the first time in 1967 and was not published in the United States until 1971, pursuant to the wishes of Plath’s mother and her husband Ted Hughes.

Victoria,

The Bell Jar addresses the question of socially acceptable identity. It examines Esther Greenwood, a young woman from the suburbs of Boston’s, “quest to forge her own identity, to be herself rather than what others expect her to be”. Esther is expected to become a housewife, and a self-sufficient woman, without the options to achieve independence. Esther feels she is a prisoner to domestic duties and she fears the loss of her inner self. The Bell Jar sets out to highlight the problems with oppressive patriarchal society in mid-20th Century America. The men in Esther’s life are all oppressive, whether it is in a physical manner or an emotional one.

SP

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Ah Pook The Destroyer

Foolish War Mongers One And All

Back the Attack

The Great Saddness

War is an organized and often prolonged conflict that is carried out by states and/or non-state actors. It is characterised by extreme violence, social disruption, human suffering, and economic destruction. War should be understood as an actual, intentional and widespread armed conflict between political communities, and therefore is defined as a form of political violence or intervention. The set of techniques used by a group to carry out war is known as warfare. An absence of war is usually called peace.

Double Caring

O Lord our Father, our young patriots, idols of our hearts, go forth to battle — be Thou near them! With them — in spirit — we also go forth from the sweet peace of our beloved firesides to smite the foe. O Lord our God, help us to tear their soldiers to bloody shreds with our shells; help us to cover their smiling fields with the pale forms of their patriot dead; help us to drown the thunder of the guns with the shrieks of their wounded, writhing in pain;

Executions and USA disgrace.

American Bommbing Raid

help us to lay waste their humble homes with a hurricane of fire; help us to wring the hearts of their unoffending widows with unavailing grief; help us to turn them out roofless with little children to wander unfriended the wastes of their desolated land in rags and hunger and thirst, sports of the sun flames of summer and the icy winds of winter, broken in spirit, worn with travail, imploring Thee for the refuge of the grave and denied it —

Germans @ War

Vietnam

for our sakes who adore Thee, Lord, blast their hopes, blight their lives, protract their bitter pilgrimage, make heavy their steps, water their way with their tears, stain the white snow with the blood of their wounded feet!”    Mark Twain

Shelling From Afar

Gas Masks

“If you could hear, at every jolt, the blood/Come gargling from the froth-corrupted lungs,/Obscene as cancer, bitter as the cud/Of vile, incurable sores on innocent tongues,/My friend, you would not tell with such high zest/To children ardent for some desperate glory,/The old Lie; Dulce et Decorum est/Pro patria mori.”   Wilfred Owen

'waiting for the war' by siwymortis

Rattlebag Medicine 2

David Tennant in The Badlands

Good Poetry

Sculpting In Ti…

Image

Sculpting In Time (Russian “Запечатлённое время”, literally “Depicted Time”) is a book by Russian filmmaker Andrei Tarkovsky about art and cinema in general, and his own films in particular. It was originally published in 1986 in German shortly before the author’s death, and published in English in 1987, translated by Kitty Hunter-Blair. The title refers to Tarkovsky’s own name for his style of filmmaking.

The book’s main statement about the nature of cinema is summarized in the statement, “The dominant, all-powerful factor of the film image is rhythm, expressing the course of time within the frame.” Tarkovsky describes his own distaste for the growing popularity of rapid-cut editing and other devices that he believes to be contrary to the true artistic nature of the cinema.

The book contains a great deal of poems by the filmmaker’s father Arseny Alexandrovich Tarkovsky along with a fair amount of Tarkovsky’s personal writings on his life and work, lectures and discussions during making of Andrei Rublyov with a film history student named Olga Surkova, who later became a professional critic and helped in writing of this book. The book has commentary on each of his 7 major feature films, and his complex relationship with the Soviet Union. The final chapter, a discussion of his film The Sacrifice, was dictated in the last weeks of his life.

Ghandis top 10

Ghandis top 10

Excerpt: Introduction to ‘The Omega Suites’.

…we are present at the moment before or after the body twitches it’s last spasm and not when the death rattle is heard. However, once we cease to be seduced by the beauty of the designed formal space, the civilized moral consciousness asserts itself to challenge privileging the esthetic reaction. Slowly, as we begin to understand what we are looking at, we must question whether the unseen action is any less brutal and barbaric because we perceive its instruments with out witnessing it actually taking place.

Some great moral works of art, such as Jean-Paul Sartre’s existentialist drama Les mains sales, André Cayatte’s film Nous sommes tous des assassins or Maya Lin’s Vietnam Memorial in Washington D.C., in which viewers cannot read the list of the war dead without seeing their own faces mirrored among the names of casualties, are based on forcing our acknowledgment of participation in human tragedy.

Braver

Braver

Andy

Andy

Happy.

Happy.

Picture 45

Picture 45

Miracles

Miracles

Steal

Steal