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Tag: ocean

Sirens

Sirens

In Greek mythology, the Sirens were dangerous and beautiful creatures, portrayed as femme fatales who lured nearby sailors with their enchanting music and voices to shipwreck on the rocky coast of their island. Roman poets placed them on some small islands called Sirenum scopuli. In some later, rationalized traditions, the literal geography of the “flowery” island of Anthemoessa, or Anthemusa, is fixed: sometimes on Cape Pelorum and at others in the islands known as the Sirenuse, near Paestum, or in Capreae. All such locations were surrounded by cliffs and rocks.

Sirens by Boris

When the Sirens were given a name of their own they were considered the daughters of the river god Achelous, fathered upon Terpsichore, Melpomene, Sterope, or Chthon. Although they lured mariners, for the Greeks the Sirens in their “meadow starred with flowers” were not sea deities. Roman writers linked the Sirens more closely to the sea, as daughters of Phorcys. Sirens are found in many Greek stories, particularly in Homer’s Odyssey.

According to Ovid, the Sirens were the companions of young Persephone and were given wings by Demeter to search for Persephone when she was abducted. However, the Fabulae of Hyginus has Demeter cursing the Sirens for failing to intervene in the abduction of Persephone.

Ulysses

The Sirens might be called the Muses of the lower world, Walter Copland Perry observed: “Their song, though irresistibly sweet, was no less sad than sweet, and lapped both body and soul in a fatal lethargy, the forerunner of death and corruption.” Their song is continually calling on Persephone. The term “siren song” refers to an appeal that is hard to resist but that, if heeded, will lead to a bad conclusion. Later writers have implied that the Sirens were anthropophagous, based on Circe’s description of them “lolling there in their meadow, round them heaps of corpses rotting away, rags of skin shriveling on their bones.” As Jane Ellen Harrison notes of “The Ker as siren:” “It is strange and beautiful that Homer should make the Sirens appeal to the spirit, not to the flesh.”

Siren by Anne Stokes

“They are mantic creatures like the Sphinx with whom they have much in common, knowing both the past and the future,” Harrison observed. “Their song takes effect at midday, in a windless calm. The end of that song is death.” That the sailors’ flesh is rotting away, though, would suggest it has not been eaten. It has been suggested that, with their feathers stolen, their divine nature kept them alive, but unable to feed for their visitors, who starved to death by refusing to leave.

According to Hyginus, sirens were fated to live only until the mortals who heard their songs were able to pass by them.

The Siren, by John William Waterhouse

O Brother Where Art Thow

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The Sprout and the Bean. Joanna Newsom.

Joanna

Newsom was born and raised in the small town of Nevada City, California. Her mother, Christine (née Mueller), is an internist, and her father, William Newsom, is also a doctor. Her parents were “progressive-minded professionals” who previously lived in the Bay Area. Newsom’s family includes her brother, Pete, a fellow musician, and sister, Emily, who inspired her song “Emily” (and contributed backing vocals). She is the second cousin, twice removed, of Lieutenant Governor Gavin Newsom of California.

Joanna Newsom Album Artwork

As a child, Newsom was not allowed to watch television or listen to the radio because she was raised by parents who she described as, “kind of idealists when it came to hoping they could protect us from bad influences, like violent movies, or stupid stuff”. She was exposed to music from a young age. Her father played the guitar and her mother was a classically trained pianist who played the hammered dulcimer, the autoharp and conga drums. Newsom attended a Waldorf school where she studied theater and learned to memorize and recite long poems. This skill helps her to remember lyrics while on tour.

Joanna Newsom

At the age of five, Newsom asked her parents if she could play the harp. Her parents eventually agreed to sign her up for harp lessons, but the local harp instructor did not want to take on such a young student and suggested she learn to play the piano first. Starting at the age of four she began playing the piano. Only later did she move on to the harp, which she, “loved from the first lesson onward.” From her instructor, Joanna learned composition and improvisation. She first played on a smaller Celtic harps until her parents bought her a full-size pedal harp in the seventh grade. During her teens, she and the instrument became inseparable, and she describes her relationship with the harp as similar to “an artificial limb or a wheelchair. It’s almost part of me, but more to the point, it serves a purpose, and if it wasn’t there I would wonder what was supposed to fit in its place.”

Clear Circle

Clear Circle

The Man From The Sea

The Man From The Sea

The Crossing

The Crossing

Hamburg Crossing

majestic

HPH

ouple By HPH

The Abyss

ABYSS

Underwater Bubbles

UNDERWATER BUBBLES

Impact

Impact

Rattlebag Medicine 2

David Tennant in The Badlands

Vintage Harley Girl

Vintage Harley Girl

Princess of the Sea

erin mulvehill

Vladimir Kush

Vladimir Kush

ShellCastle

ShellCastle

Sunset on the Ocean

sunset on sea

Underwater Studio Pinewood

A shot to promote Pinewood Studios underwater stage.

A Night To Remember

Titanic

Guinness Ad

White Horse

white horse painting

And?

And?

On the Beach

on the beach

Sand Walk

Sand Walk

Rough Ocean Waves

Ocean waves

Ocean Wave Nets

Ana Teresa Barboza

Castle

Castle In The Pyrenees

Celtic Cross

Clew Bay Celtic Cross by Martina Fagan

e=mc2

E=MC2

Youth

Happiness

 

Happiness

Surfing

 

Vikings

The Vikings (from Old Norse víkingr) were the Norse explorers, warriors, merchants, and pirates who raided, traded, explored and settled in wide areas of Europe, Asia and the North Atlantic islands from the late 8th to the mid-11th century.

These Norsemen used their famed longships to travel as far east as Constantinople and the Volga River in Russia, and as far west as Iceland, Greenland, and Newfoundland, and as far south as Nekor. This period of Viking expansion – known as the Viking Age – forms a major part of the medieval history of Scandinavia, Great Britain, Ireland and the rest of Medieval Europe.

Popular conceptions of the Vikings often differ from the complex picture that emerges from archaeology and written sources. A romanticised picture of Vikings as Germanic noble savages began to take root in the 18th century, and this developed and became widely propagated during the 19th-century Viking revival. The received views of the Vikings as violent brutes or intrepid adventurers owe much to the modern Viking myth which had taken shape by the early 20th century. Current popular representations are typically highly clichéd, presenting the Vikings as familiar caricatures.

Hiroshi Sugimoto

 

Ocean View

Leah Of The South Downs

Canadian Forces. Drug Bust.

The Piano

 

Mr. Hulot’s Holiday

ViewMaster

 

Seb Janiak, The Kingdom, 2009

Seb Janiak, The Kingdom, 2009

Ryans Daughter

Ryans Daughter

Earth by Nasa

Earth by Nasa

Das Boot (Germa…

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Das Boot (German pronunciation: [das ˈboːt], German meaning “The Boat“) is a 1981 German epic war film written and directed by Wolfgang Petersen, produced by Günter Rohrbach, and starring Jürgen Prochnow, Herbert Grönemeyer, and Klaus Wennemann. It has been exhibited both as a theatrical release and as a TV miniseries, and in several different home video versions of various running times.

Das Boot is an adaption of the 1973 German novel of the same name by Lothar-Günther Buchheim. Set during World War II, the film tells the fictional story of U-96 and its crew. It depicts both the excitement of battle and the tedium of the fruitless hunt, and shows the men serving aboard U-boats as ordinary individuals with a desire to do their best for their comrades and their country. The screenplay used an amalgamation of exploits from the real U-96, a Type VIIC-class U-boat.

Development for Das Boot began in 1979. Several American directors were considered three years earlier before the film was shelved. During the film’s production, Heinrich Lehmann-Willenbrock, the captain of the real U-96 and one of Germany’s top U-boat “tonnage aces” during the war, and Hans-Joachim Krug, former first officer on U-219, served as consultants. One of Petersen’s goals was to guide the audience through “a journey to the edge of the mind” (the film’s German tagline Eine Reise ans Ende des Verstandes), showing “what war is all about”.

Produced with a budget of 32 million DM (about $18.5 million), the film was released on September 17, 1981 and was later released in 1997 in a director’s cut version supervised by Petersen. It grossed over $80 million ($190.2 million in 2009 prices) worldwide between its theatrical releases and received critical acclaim. Its high production cost ranks it among the most expensive films in the history of German cinema. It was the second most expensive up until that time, after Metropolis.

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ship wreck

ship wreck

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coming back again

coming back again

They eventually…

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They eventually encounter a subterranean ocean, which they name the Saknussem Ocean, and make a raft from the stems of giant mushrooms to cross it. Somewhere in the middle of the ocean, they pass through the center of the earth and their raft begins circling in a mid-ocean whirlpool. The professor deduces that must be the center of the earth, because the magnetic forces from north and south meeting there are strong enough to snatch away even gold in the form of wedding rings and tooth fillings. They somehow manage to cross the ocean, and, completely exhausted, reach the shore on the other side.

Despite the dangers of their journey, no one has died, but that soon changes. Gertrude, the duck, loses her life to Saknussem, who can’t control his hunger and eats her. Soon after a mild earthquake occurs; Saknussem is buried under a shower of heavy stones, but right behind the collapse the rest of the group comes upon the sunken city of Atlantis. They are now faced with one ominous question: How will they return to the surface?

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Movie Poster 1959

Movie Poster 1959

Corey Arnold

Corey Arnold

Beth Hocckel

Beth Hocckel

Alex Goldstein

Alex Goldstein

moby

moby

halo-unknown

halo-unknown

Santa Monica, California 1955

Santa Monica, California 1955

Scenes from my short film, Saint Patric. 1

Scenes from my short film, Saint Patric. 1

Scenes from my short film, Saint Patric. 2

Scenes from my short film, Saint Patric. 2

Scenes from my short film, Saint Patric. 3

Scenes from my short film, Saint Patric. 3

Scenes from my short film, Saint Patric. 4

Scenes from my short film, Saint Patric. 4

Fireplace

Fireplace

Untitled. Aquabella 2011 by Yigal Ozeri

Untitled. Aquabella 2011 by Yigal Ozeri