Ah Pook The Destroyer
Fahrenheit 451 is a 1953 dystopian novel by Ray Bradbury. The novel presents a future American society where books are outlawed and firemen burn any house that contains them.
The novel has been the subject of various interpretations, primarily focusing on the historical role of book burning in suppressing dissenting ideas. Bradbury has stated that the novel is not about censorship, but a story about how television destroys interest in reading literature, which leads to a perception of knowledge as being composed of factoids, partial information devoid of context.
François Truffaut wrote and directed a film adaptation of the novel in 1966. At least two BBC Radio 4 dramatisations have also been aired, both of which follow the book very closely.
The book’s title refers to the temperature that Bradbury understood to be the autoignition point of book paper.
The Panopticon is a type of institutional building designed by English philosopher and social theorist Jeremy Bentham in the late eighteenth century. The concept of the design is to allow an observer to observe (-opticon) all (pan-) inmates of an institution without them being able to tell whether or not they are being watched.
The design consists of a circular structure with an “inspection house” at its centre, from which the managers or staff of the institution are able to watch the inmates, who are stationed around the perimeter. Bentham conceived the basic plan as being equally applicable to hospitals, schools, poorhouses, daycares, and madhouses, but he devoted most of his efforts to developing a design for a Panopticon prison, and it is his prison which is most widely understood by the term.
Bentham himself described the Panopticon as “a new mode of obtaining power of mind over mind, in a quantity hitherto without example.”
Anybody who uses the Internet should read E.M. Forster’s The Machine Stops. It is a chilling, short story masterpiece about the role of technology in our lives. Written in 1909, it’s as relevant today as the day it was published. Forster has several prescient notions including instant messages (email!) and cinematophoes (machines that project visual images).