thissideofthetruth

NOT THE OTHER

Month: November, 2013

David Bowie by Tony Oursler

Bowie

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One Dimensional Man

One-Dimensional Man.

One and Only

But is it Art?

One & Other was a public art project by Antony Gormley, in which 2,400 members of the public occupied the usually vacant fourth plinth in Trafalgar Square, London, for an hour each for 100 days. The project began at 9 am on Monday 6 July 2009, and ran until 14 October. The first person to officially occupy the plinth was Rachel Wardell from Lincolnshire. A documentary art book by Gormley, entitled One and Other, was published in the UK by Jonathan Cape on 14 October 2010. The Wellcome Trust has posted online at its website its series of oral-history interviews of the 2400 plinthers.

Passing by

The project was opened by the Mayor of London, Boris Johnson. Minutes before the official launch Stuart Holmes, an anti-smoking protester, managed to clamber onto the plinth and displayed a banner calling for a ban on tobacco. Gormley urged him to do the “gentlemanly thing” and give up his place to the first official “plinther”, Rachel Wardell. He did so and descended in the cherry picker used to carry participants to and from the plinth.

Change of the guard

Members of the public could apply for an hour on the plinth via the project’s website. Gormley himself applied but didn’t get a place. Reviewing the event afterwards, the Guardian’s top ten “plinthers” were:

Name Performance
Gerald Chong Demolished a cardboard replica of the London skyline, dressed as Godzilla.
Amanda Hall Constructed a full-size Gormley-style human figure from bread products.
Ollie Campbell Pitched a tent, from which a live chicken and two blow-up dolls emerged.
Steve Cousins (The Balloonatic) Performed in a red catsuit with a large, red balloon.
Sam Martin Dressed as a football referee, Martin challenged members of the public and announced half-time.
Jonathan May-Bowles (Jonnie Marbles) Invited members of the public to text their secrets to him, which were then read aloud.
Neil Studd Dressed as a living statue of Lord Nelson, in an echo of Nelson’s Column.
Liz Crow Sat in a wheelchair wearing a Nazi military uniform, as a political statement on the rights of disabled people.
Susanna Meese-Simpson Posed naked as if for a life study.
Paul Speller Performed a succession of scientific experiments submitted by the public, including an experiment with a tin can telephone.

Plinth Concept

On 14 July at 8.00 pm, poet R. N. Taber read a selection of his poems, while photographer Alex Boyd collaborated with Scottish Makar (Poet Laureate) Edwin Morgan for his time on the plinth. On 12 August at 1 am, a naked plinther was asked to cover up by the police.

Monique-Speksnyderon-on-t-002

Streamed live online by SkyArts, the exhibit quickly developed a cadre of regular Twitter followers who provided a running commentary of events on the plinth.

Balloon Man

 

Kunstakademie Dusseldorf

KF

The Kunstakademie Düsseldorf is the Arts Academy of the city of Düsseldorf. Notable artists who attended the academy include Joseph Beuys, Gerhard Richter, Sigmar Polke, Thomas Demand and Andreas Gursky. In the stairway of its main entrance, are engraved the Words: “Für unsere Studenten nur das Beste” (“For our Students only the Best”).

'Betty' by Gerhard Richter.

The school was founded by Lambert Krahe in 1762 as a school of drawing. In 1773, it became the “Kurfürstlich-Pfälzische Academie der Maler, Bildhauer- und Baukunst” (Academy of Painting, Sculpture and Architecture of the Electorate of the Palatinate).

JBThomas DemandT. S.

It has been amongst Europe’s foremost art schools for more than two centuries.

Trinity College Dublin, Candida Hofer

The German photographic movement commonly known as the Düsseldorf School of Photography, began in the mid 1970s at the Kunstakademie Düsseldorf under the instruction of the influential photographers Bernd and Hilla Becher, known for their comparative grids of mundane industrial buildings captured with an objective and clinical eye.

Bernd and Hilla Becher

This school has not only birthed some of today’s most important and successful photographers, but has also had a fundamental and lasting influence on the history of the medium.

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Girls

Girls Girls Girls

Anime Beauty

Anime Beauty

Belle

Belle

Cassandra

Cassandra van Waveren by Yorick Nube

Underwater Portrait

Underwater Portrait

Sirens

Sirens

In Greek mythology, the Sirens were dangerous and beautiful creatures, portrayed as femme fatales who lured nearby sailors with their enchanting music and voices to shipwreck on the rocky coast of their island. Roman poets placed them on some small islands called Sirenum scopuli. In some later, rationalized traditions, the literal geography of the “flowery” island of Anthemoessa, or Anthemusa, is fixed: sometimes on Cape Pelorum and at others in the islands known as the Sirenuse, near Paestum, or in Capreae. All such locations were surrounded by cliffs and rocks.

Sirens by Boris

When the Sirens were given a name of their own they were considered the daughters of the river god Achelous, fathered upon Terpsichore, Melpomene, Sterope, or Chthon. Although they lured mariners, for the Greeks the Sirens in their “meadow starred with flowers” were not sea deities. Roman writers linked the Sirens more closely to the sea, as daughters of Phorcys. Sirens are found in many Greek stories, particularly in Homer’s Odyssey.

According to Ovid, the Sirens were the companions of young Persephone and were given wings by Demeter to search for Persephone when she was abducted. However, the Fabulae of Hyginus has Demeter cursing the Sirens for failing to intervene in the abduction of Persephone.

Ulysses

The Sirens might be called the Muses of the lower world, Walter Copland Perry observed: “Their song, though irresistibly sweet, was no less sad than sweet, and lapped both body and soul in a fatal lethargy, the forerunner of death and corruption.” Their song is continually calling on Persephone. The term “siren song” refers to an appeal that is hard to resist but that, if heeded, will lead to a bad conclusion. Later writers have implied that the Sirens were anthropophagous, based on Circe’s description of them “lolling there in their meadow, round them heaps of corpses rotting away, rags of skin shriveling on their bones.” As Jane Ellen Harrison notes of “The Ker as siren:” “It is strange and beautiful that Homer should make the Sirens appeal to the spirit, not to the flesh.”

Siren by Anne Stokes

“They are mantic creatures like the Sphinx with whom they have much in common, knowing both the past and the future,” Harrison observed. “Their song takes effect at midday, in a windless calm. The end of that song is death.” That the sailors’ flesh is rotting away, though, would suggest it has not been eaten. It has been suggested that, with their feathers stolen, their divine nature kept them alive, but unable to feed for their visitors, who starved to death by refusing to leave.

According to Hyginus, sirens were fated to live only until the mortals who heard their songs were able to pass by them.

The Siren, by John William Waterhouse

O Brother Where Art Thow

Sirens of Titan

Sirens of Titan Cover

“Oh Lord Most High, Creator of the Cosmos, Spinner of Galaxies, Soul of Electromagnetic Waves, Inhaler and Exhaler of Inconceivable Volumes of Vacuum, Spitter of Fire and Rock, Trifler with Millennia — what could we do for Thee that Thou couldst not do for Thyself one octillion times better? Nothing. What could we do or say that could possibly interest Thee? Nothing. Oh, Mankind, rejoice in the apathy of our Creator, for it makes us free and truthful and dignified at last. No longer can a fool point to a ridiculous accident of good luck and say, ‘Somebody up there likes me.’ And no longer can a tyrant say, ‘God wants this or that to happen, and anyone who doesn’t help this or that to happen is against God.’ O Lord Most High, what a glorious weapon is Thy Apathy, for we have unsheathed it, have thrust and slashed mightily with it, and the claptrap that has so often enslaved us or driven us into the madhouse lies slain!” -The prayer of the Reverend C. Horner Redwine”
― Kurt Vonnegut, The Sirens of Titan

Saturn from Titan

Saturn

Saturn