thissideofthetruth

NOT THE OTHER

It’s A Wild World. Skins. Final Season 1.

moon

Moon

moon

Kooks

David Bowie by Tony Oursler

Bowie

One Dimensional Man

One-Dimensional Man.

One and Only

But is it Art?

One & Other was a public art project by Antony Gormley, in which 2,400 members of the public occupied the usually vacant fourth plinth in Trafalgar Square, London, for an hour each for 100 days. The project began at 9 am on Monday 6 July 2009, and ran until 14 October. The first person to officially occupy the plinth was Rachel Wardell from Lincolnshire. A documentary art book by Gormley, entitled One and Other, was published in the UK by Jonathan Cape on 14 October 2010. The Wellcome Trust has posted online at its website its series of oral-history interviews of the 2400 plinthers.

Passing by

The project was opened by the Mayor of London, Boris Johnson. Minutes before the official launch Stuart Holmes, an anti-smoking protester, managed to clamber onto the plinth and displayed a banner calling for a ban on tobacco. Gormley urged him to do the “gentlemanly thing” and give up his place to the first official “plinther”, Rachel Wardell. He did so and descended in the cherry picker used to carry participants to and from the plinth.

Change of the guard

Members of the public could apply for an hour on the plinth via the project’s website. Gormley himself applied but didn’t get a place. Reviewing the event afterwards, the Guardian’s top ten “plinthers” were:

Name Performance
Gerald Chong Demolished a cardboard replica of the London skyline, dressed as Godzilla.
Amanda Hall Constructed a full-size Gormley-style human figure from bread products.
Ollie Campbell Pitched a tent, from which a live chicken and two blow-up dolls emerged.
Steve Cousins (The Balloonatic) Performed in a red catsuit with a large, red balloon.
Sam Martin Dressed as a football referee, Martin challenged members of the public and announced half-time.
Jonathan May-Bowles (Jonnie Marbles) Invited members of the public to text their secrets to him, which were then read aloud.
Neil Studd Dressed as a living statue of Lord Nelson, in an echo of Nelson’s Column.
Liz Crow Sat in a wheelchair wearing a Nazi military uniform, as a political statement on the rights of disabled people.
Susanna Meese-Simpson Posed naked as if for a life study.
Paul Speller Performed a succession of scientific experiments submitted by the public, including an experiment with a tin can telephone.

Plinth Concept

On 14 July at 8.00 pm, poet R. N. Taber read a selection of his poems, while photographer Alex Boyd collaborated with Scottish Makar (Poet Laureate) Edwin Morgan for his time on the plinth. On 12 August at 1 am, a naked plinther was asked to cover up by the police.

Monique-Speksnyderon-on-t-002

Streamed live online by SkyArts, the exhibit quickly developed a cadre of regular Twitter followers who provided a running commentary of events on the plinth.

Balloon Man

 

Kunstakademie Dusseldorf

KF

The Kunstakademie Düsseldorf is the Arts Academy of the city of Düsseldorf. Notable artists who attended the academy include Joseph Beuys, Gerhard Richter, Sigmar Polke, Thomas Demand and Andreas Gursky. In the stairway of its main entrance, are engraved the Words: “Für unsere Studenten nur das Beste” (“For our Students only the Best”).

'Betty' by Gerhard Richter.

The school was founded by Lambert Krahe in 1762 as a school of drawing. In 1773, it became the “Kurfürstlich-Pfälzische Academie der Maler, Bildhauer- und Baukunst” (Academy of Painting, Sculpture and Architecture of the Electorate of the Palatinate).

JBThomas DemandT. S.

It has been amongst Europe’s foremost art schools for more than two centuries.

Trinity College Dublin, Candida Hofer

The German photographic movement commonly known as the Düsseldorf School of Photography, began in the mid 1970s at the Kunstakademie Düsseldorf under the instruction of the influential photographers Bernd and Hilla Becher, known for their comparative grids of mundane industrial buildings captured with an objective and clinical eye.

Bernd and Hilla Becher

This school has not only birthed some of today’s most important and successful photographers, but has also had a fundamental and lasting influence on the history of the medium.

da16

Girls

Girls Girls Girls

Anime Beauty

Anime Beauty

Belle

Belle

Cassandra

Cassandra van Waveren by Yorick Nube

Underwater Portrait

Underwater Portrait

Sirens

Sirens

In Greek mythology, the Sirens were dangerous and beautiful creatures, portrayed as femme fatales who lured nearby sailors with their enchanting music and voices to shipwreck on the rocky coast of their island. Roman poets placed them on some small islands called Sirenum scopuli. In some later, rationalized traditions, the literal geography of the “flowery” island of Anthemoessa, or Anthemusa, is fixed: sometimes on Cape Pelorum and at others in the islands known as the Sirenuse, near Paestum, or in Capreae. All such locations were surrounded by cliffs and rocks.

Sirens by Boris

When the Sirens were given a name of their own they were considered the daughters of the river god Achelous, fathered upon Terpsichore, Melpomene, Sterope, or Chthon. Although they lured mariners, for the Greeks the Sirens in their “meadow starred with flowers” were not sea deities. Roman writers linked the Sirens more closely to the sea, as daughters of Phorcys. Sirens are found in many Greek stories, particularly in Homer’s Odyssey.

According to Ovid, the Sirens were the companions of young Persephone and were given wings by Demeter to search for Persephone when she was abducted. However, the Fabulae of Hyginus has Demeter cursing the Sirens for failing to intervene in the abduction of Persephone.

Ulysses

The Sirens might be called the Muses of the lower world, Walter Copland Perry observed: “Their song, though irresistibly sweet, was no less sad than sweet, and lapped both body and soul in a fatal lethargy, the forerunner of death and corruption.” Their song is continually calling on Persephone. The term “siren song” refers to an appeal that is hard to resist but that, if heeded, will lead to a bad conclusion. Later writers have implied that the Sirens were anthropophagous, based on Circe’s description of them “lolling there in their meadow, round them heaps of corpses rotting away, rags of skin shriveling on their bones.” As Jane Ellen Harrison notes of “The Ker as siren:” “It is strange and beautiful that Homer should make the Sirens appeal to the spirit, not to the flesh.”

Siren by Anne Stokes

“They are mantic creatures like the Sphinx with whom they have much in common, knowing both the past and the future,” Harrison observed. “Their song takes effect at midday, in a windless calm. The end of that song is death.” That the sailors’ flesh is rotting away, though, would suggest it has not been eaten. It has been suggested that, with their feathers stolen, their divine nature kept them alive, but unable to feed for their visitors, who starved to death by refusing to leave.

According to Hyginus, sirens were fated to live only until the mortals who heard their songs were able to pass by them.

The Siren, by John William Waterhouse

O Brother Where Art Thow

Sirens of Titan

Sirens of Titan Cover

“Oh Lord Most High, Creator of the Cosmos, Spinner of Galaxies, Soul of Electromagnetic Waves, Inhaler and Exhaler of Inconceivable Volumes of Vacuum, Spitter of Fire and Rock, Trifler with Millennia — what could we do for Thee that Thou couldst not do for Thyself one octillion times better? Nothing. What could we do or say that could possibly interest Thee? Nothing. Oh, Mankind, rejoice in the apathy of our Creator, for it makes us free and truthful and dignified at last. No longer can a fool point to a ridiculous accident of good luck and say, ‘Somebody up there likes me.’ And no longer can a tyrant say, ‘God wants this or that to happen, and anyone who doesn’t help this or that to happen is against God.’ O Lord Most High, what a glorious weapon is Thy Apathy, for we have unsheathed it, have thrust and slashed mightily with it, and the claptrap that has so often enslaved us or driven us into the madhouse lies slain!” -The prayer of the Reverend C. Horner Redwine”
― Kurt Vonnegut, The Sirens of Titan

Saturn from Titan

Saturn

Saturn

Himalayas

Himalayas

Black Narcissus

Title Shot

A group of Anglican nuns travel to a remote location in the Himalayas (the Palace of Mopu, near Darjeeling) to set up a school and hospital for the local people, only to find themselves increasingly seduced by the sensuality of their surroundings in a converted seraglio high up in the mountains, and by the local British agent Mr Dean (David Farrar). Clodagh (Deborah Kerr), the Sister Superior, is attempting to forget a failed romance at home in Ireland. Tensions mount as Dean’s laid-back charm makes an impression on Clodagh, but also attracts the mentally unstable Sister Ruth (Kathleen Byron), who becomes pathologically jealous of Clodagh, resulting in a nervous breakdown and a violent climax. In a subplot, ‘the Young General’ (Sabu), heir to the throne of a princely Indian state who has come to the convent for his education, becomes infatuated with Kanchi, a lower caste dancing girl (Jean Simmons).

Dancer

Black Narcissus achieved acclaim for its pioneering technical mastery and shocked audiences at the time of release with its vibrant colour and the themes of the film. Audiences gasped at some of the scenes, notably the shot of the vibrant pink flowers, which shown on the big screen was a spectacle at the time. The film’s clever use of lighting and techniques have had a profound impact on later film makers, notably Martin Scorsese who used the extreme close ups technique of the nuns for Tom Cruise’s character around the pool table in Color of Money. Martin Scorsese has said that the film is one of the earliest erotic films, in the last quarter of the film in particular, which caused controversy given its Roman Catholic content. The film was one of his favourites as a boy, and Scorsese has stated that one of the greatest experiences he has had with film is viewing Black Narcissus projected on a massive screen at the Director’s Guild in 1983. In Michael Powell’s own view this was the most erotic film he ever made. “It is all done by suggestion, but eroticism is in every frame and image from beginning to end. It is a film full of wonderful performances and passion just below the surface, which finally, at the end of the film, erupts”.

Deborah Kerr

Madeline

Madeline

Blondeau

Thylane Loubry Blondeau

Whiskey

Whiskey

‘Tunnel’ by Thomas Demand

Tunnel

 

Princess Diana

Princess Diana

Jackie Kennedy

Jackie Kennedy

Dealy Plaza

Dealy Plaza

Targets. The Movie. 1968.

Targets Poster

The story concerns a quiet insurance agent and Vietnam War veteran named Bobby Thompson (Tim O’Kelly) who murders his young wife, his mother and a grocery delivery boy at home and then initiates an afternoon shooting rampage from atop a Los Angeles area oil refinery. Several motorists and passengers are wounded or killed on the nearby freeway. When the police respond and start to close in on him he flees and resumes his shootings at a Reseda drive-in theater where an aging horror film icon, Byron Orlok (Boris Karloff) is making a final promotional appearance before retirement. Orlok slaps the murderer into submission and the police arrive and affect an arrest. Thompson wonders aloud about the exact number of victims.

Targets Movie Poster

The Meeting

The Meeting

Lightening

Lightening

Light Strike. 4am Singapore

Singapore at Night 4am lightening strike

VGER

VGER

Voyager 1

Voyager 1

Black Hole

Black Hole

Fairy

Kari-Lise

Jack and the Beanstock

Jack and the Beanstock

The Sprout and the Bean. Joanna Newsom.

Joanna

Newsom was born and raised in the small town of Nevada City, California. Her mother, Christine (née Mueller), is an internist, and her father, William Newsom, is also a doctor. Her parents were “progressive-minded professionals” who previously lived in the Bay Area. Newsom’s family includes her brother, Pete, a fellow musician, and sister, Emily, who inspired her song “Emily” (and contributed backing vocals). She is the second cousin, twice removed, of Lieutenant Governor Gavin Newsom of California.

Joanna Newsom Album Artwork

As a child, Newsom was not allowed to watch television or listen to the radio because she was raised by parents who she described as, “kind of idealists when it came to hoping they could protect us from bad influences, like violent movies, or stupid stuff”. She was exposed to music from a young age. Her father played the guitar and her mother was a classically trained pianist who played the hammered dulcimer, the autoharp and conga drums. Newsom attended a Waldorf school where she studied theater and learned to memorize and recite long poems. This skill helps her to remember lyrics while on tour.

Joanna Newsom

At the age of five, Newsom asked her parents if she could play the harp. Her parents eventually agreed to sign her up for harp lessons, but the local harp instructor did not want to take on such a young student and suggested she learn to play the piano first. Starting at the age of four she began playing the piano. Only later did she move on to the harp, which she, “loved from the first lesson onward.” From her instructor, Joanna learned composition and improvisation. She first played on a smaller Celtic harps until her parents bought her a full-size pedal harp in the seventh grade. During her teens, she and the instrument became inseparable, and she describes her relationship with the harp as similar to “an artificial limb or a wheelchair. It’s almost part of me, but more to the point, it serves a purpose, and if it wasn’t there I would wonder what was supposed to fit in its place.”

Marx Bros

Marx Bros

CarPark

Bruce McCall Carpark

Population Pacification. 2001. New York.

September 11th 2001 New York.

McDeath

MacDeath

Corporate Murder

Corporate Murder

Quiet

Shut Yer Face

Close Guantamano Bay

Close Guantanamo Bay

I am not a suspect

i am not a suspect

“Another Country” G9

Richard Stallman:Edward Snowdon: Julian Assange (July 2013)

Leaked copy of America’s stance on Chinese people.

image

Rain

Rain

 

Rain City

Rain City

Van

van

Atta Kim New York

ATTA KIM

Landscape Camera

Land Camera

Phillip Glass

Glass

 

Beginners

Beginners

Nest

circle

Clear Circle

Clear Circle

The Man From The Sea

The Man From The Sea

The Crossing

The Crossing

Hamburg Crossing

majestic

HPH

ouple By HPH

Vogue 1939

v

The Corset

Horst Paul Albert Bohrmann

Bone Tat

corset tattoo

The Texas Lot

Texas Lot

The Von Trapp Family

The Von Trapp Family

Sound Od Music

Sound Of Music

Green Pasture

Valley

Planet Earth

Planet Earth

The Abyss

ABYSS

Underwater Bubbles

UNDERWATER BUBBLES

Water Elf

Water Elf

bubbles

Underwater Nude

Dance on the table

Champagne

Naughty Kate

Naughty Kate

Kurious Kate

Sly Kate

Dressed to Kill

Dressed2kill by Joerg Warda

More Than Honey

More Than Honey

Honey Comb

Honey Comb

Honey Bear Book

Honey Bear

Honey Bear

Chris Buzelli

Cubs

Cubs

Shanghai CatBert

CatBert

 

Cats Lots of ’em

Jose Segrellis

Book Monsters

book monsters

THE BELL JAR

Sylvia Reading

The Bell Jar is American writer and poet Sylvia Plath’s only novel, which was originally published under the pseudonym “Victoria Lucas” in 1963. The novel is semi-autobiographical with the names of places and people changed. The book is often regarded as a roman à clef, with the protagonist’s descent into mental illness paralleling Plath’s own experiences with what may have been clinical depression. Plath committed suicide a month after its first UK publication. The novel was published under Plath’s name for the first time in 1967 and was not published in the United States until 1971, pursuant to the wishes of Plath’s mother and her husband Ted Hughes.

Victoria,

The Bell Jar addresses the question of socially acceptable identity. It examines Esther Greenwood, a young woman from the suburbs of Boston’s, “quest to forge her own identity, to be herself rather than what others expect her to be”. Esther is expected to become a housewife, and a self-sufficient woman, without the options to achieve independence. Esther feels she is a prisoner to domestic duties and she fears the loss of her inner self. The Bell Jar sets out to highlight the problems with oppressive patriarchal society in mid-20th Century America. The men in Esther’s life are all oppressive, whether it is in a physical manner or an emotional one.

SP

trapped in the bell jar

The Bell Jar

The Yellow Wallpaper in shreds

Julia Callon

The Yellow Wallpaper

The Yellow Wallpaper

City Of Shadows

Alexey Titarenko

Atta Kim

In Buddhism, all objects, or in other words, color and matter are another word for space and space is another word for color. All objects can become one according to the concept of “all matter is emptiness” and the process of breaking down is called “emptiness is form.” In particular, Hua-yen Buddhism’s teachings of “one is all, all is one” is a physical analysis of how points build to space and space breaks down to a point. Buddhism’s “all matter is emptiness” does not mean a lack. I will use my work as an example.

New York

New York (2008) Indala Series  A photographic portrait of New York using 10,000 images.

My ON-AIR Project’s Indala Series (Indala is another word for Indra’s net, which refers to the concept of the interconnectedness of all things in the universe. New York, Washington, Moscow, Tokyo, Paris, London, Venice, Berlin, Athens, Seoul, Delhi, and others, comprise the 14 cities that are a part of this project). For the project, I took 10,000 photographs of New York and superimposed them to create one final picture.

The completed picture appears to be nothing but a blurry, gray image, but there are physically 10,000 photographs within it. Those 10,000 photographs of New York streets, buildings, people, and events were vividly captured over the course of several years, lovingly, with proper photographic technique. I’m not Buddhist and I didn’t do this project with the intention of explaining the concept of “all is emptiness,” but this is similar to that concept of emptiness. If one penetrates into the gray image (as in Heidegger’s concept of entwurf, or the mental process of absorption in something), one is able to meet again the countless events and identities melted into the 10,000 cuts. This process of disassembly is “emptiness is everything.” If one physically dismantles an analog picture, one is left with the particles that make up analog film; in a digital process, only the pixels are left. In the final gray image of the Indala project, those 10,000 photographs have become one and each has lost its function but their identity is not gone. Just like how my DNA contains all of humanity’s genes, identity does not disappear. This is similar to how the point’s identity is inherent in space. Ironically though, the final gray picture of one city composed of 10,000 different superimposed photographs is digitized and has no mass or volume; it only has form when it comes out.

Atta Kim

Budda

Budda Kamakura

Brazil

Brazil

Street Of Crocs

Street of Crocodiles

Ah Pook The Destroyer

Impact

Impact

Casualities Of War

wearedorothy

Vogue War Fashion Spread

Fashion Wars

Happy Happy

Happy Happy America

Tibbits Glory

Tibbits Glory

America. A Nuclear Device.

America. A Nuclear Device

Foolish War Mongers One And All

Back the Attack

The Great Saddness

War is an organized and often prolonged conflict that is carried out by states and/or non-state actors. It is characterised by extreme violence, social disruption, human suffering, and economic destruction. War should be understood as an actual, intentional and widespread armed conflict between political communities, and therefore is defined as a form of political violence or intervention. The set of techniques used by a group to carry out war is known as warfare. An absence of war is usually called peace.

Double Caring

O Lord our Father, our young patriots, idols of our hearts, go forth to battle — be Thou near them! With them — in spirit — we also go forth from the sweet peace of our beloved firesides to smite the foe. O Lord our God, help us to tear their soldiers to bloody shreds with our shells; help us to cover their smiling fields with the pale forms of their patriot dead; help us to drown the thunder of the guns with the shrieks of their wounded, writhing in pain;

Executions and USA disgrace.

American Bommbing Raid

help us to lay waste their humble homes with a hurricane of fire; help us to wring the hearts of their unoffending widows with unavailing grief; help us to turn them out roofless with little children to wander unfriended the wastes of their desolated land in rags and hunger and thirst, sports of the sun flames of summer and the icy winds of winter, broken in spirit, worn with travail, imploring Thee for the refuge of the grave and denied it —

Germans @ War

Vietnam

for our sakes who adore Thee, Lord, blast their hopes, blight their lives, protract their bitter pilgrimage, make heavy their steps, water their way with their tears, stain the white snow with the blood of their wounded feet!”    Mark Twain

Shelling From Afar

Gas Masks

“If you could hear, at every jolt, the blood/Come gargling from the froth-corrupted lungs,/Obscene as cancer, bitter as the cud/Of vile, incurable sores on innocent tongues,/My friend, you would not tell with such high zest/To children ardent for some desperate glory,/The old Lie; Dulce et Decorum est/Pro patria mori.”   Wilfred Owen

'waiting for the war' by siwymortis

Girl with automatic assault weapon

girl with weapon

Frank with a Sniper Rifle

Frank with Sniper rifle

David Tennant aka DT. Me in Halifax Canada.

DT

Mr. Thompson

Mr. Thompson

Thompson Submachine Gun

Thompson Submachine Gun

Bonnie and Clyde

Bonnie & Clyde

Born Again Couple

Born Again Couple

Natural Born Killers

Cafe Couple

Cafe Couple

HomeSteaders

Jack Whinery and his wife Edith was taken by Russell Lee in Pie Town, NM, in Sept 1940.

Rattlebag Medicine 2

David Tennant in The Badlands

Take a Road Trip

Road Trip

Subtract

Subtract

Flying Bike

flying bike

Vintage Harley Girl

Vintage Harley Girl

Brothers Marlon & Lee

Marlon & Lee

Bill Ray and the Hells Angels of San Berdoo 1965

biker

“This was a new breed of rebel,” Bill Ray told LIFE.com, recalling his time with the Angels. “They didn’t have jobs, of course. They absolutely despised everything that most Americans value and strive for — stability, security. They rode their bikes, hung out in bars for days at a time, fought with anyone who messed with them. They were self-contained, with their own set of rules, their own code of behavior. It was extraordinary to be around.”

On the road

Ray spent some of the time with the Angels on a ride from San Bernardino (about 40 miles east of Los Angeles) to Bakersfield, California, for a major motorcycle rally. The Berdoo-Bakersfield run is a trip of only about 130 miles — but in 1965, it would offer enough moments (both placid and violent) for Ray to paint a rare, revelatory portrait of the world’s most legendary motorcycle club in its early days. The way in which the story came about, meanwhile, was as dramatic and unexpected as Bill Ray’s pictures.

talk to the hand

“It was exhilarating being around them, there’s no question about it,” Ray says. “You just never knew what they were going to do. You’re always kind of on edge, because — think about it! — these people have a lot of time to waste. They don’t punch a clock, so they fill the time drinking beer, smoking pot, screwing around. There was always a sense that anything could happen at any minute. Things could go from light-hearted to tense, and from tense to very scary, pretty goddamn quick.”

Biker Chicks

Ray and Joe Bride spent more than a month with the Angels in the spring of ’65, “mostly on weekends,” Ray remembers, “but the Bakersfield run was around the clock, three days and nights.” In Bakersfield,” remembers Ray, “I slept on the floor of the Blackboard Cafe — the bar that the Angels basically lived in while they were there.”

Brothers in Arms

“There’s a romance to the idea of the biker on the open road,” Ray says. “It’s similar to the romance that people attach to cowboys and the West — which, of course, is totally out of proportion to the reality of riding fences and punching cows. But no doubt, there’s something impressive about these Harley-Davidsons and bikers heading down the highway. You see the myth played out in movies, like Easy Rider, which came out a few years after I photographed the Angels. You know, the trail never ends for the cowboy, and the open road never ends for the Angels. They just ride. Where they’re going hardly matters. It’s not an easy life, but it’s what they choose. It’s theirs. And everyone else can get out of the way or go to hell.”

Up Yours Biker Chick

The Chosen Few

The Chosen Few 1959

Thankfull

Thankfull

Milk “Grow”

Coded

barcode head

Social Engineering – “Life in Plastic is Fantasic”

Barbies Night Out

Advertising directed toward children has been a concern for marketers, researchers and policy-makers for decades. The attention and concern is not without justification. Children see a great deal of advertising. Moore and Lutz (2000) reported that children in the age range of six to fourteen see an estimated 20,000 advertisements each year.

Like

Advertising practitioners recognize this and are more than willing to target children.

Essex Girl

Advertisements are known to have an impact on children, both consumption-related and unrelated to the product advertised. Increasing attention has been focused on the impact of advertising on children which is not directly related to the product. Advertisements have been linked to children’s self image, self concept, motivation and performance.

Advertising

Of increasing concern is the impact of role models in advertising on children.

Barbie Eyes

Dakota Rose Portrait

Dakota Rose by pechucky

Koto Warrior Fantasy

koto

SF Girl Warrior

Sci Fi Girl

PVC Figure

Shunya Yamashita PVC figure

Kotobukiya

Kotobukiya

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